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The film evokes a fundamentally human cycle of expectation, idealism, and disappointment. But when he falls short of the muscular, white body ideals of gay men, he is only left feeling more like an outcast. Meanwhile, Dipankar arrives in exile from Dubai, a country where homosexuality is illegal, in hopes of discovering a community that will accept him. One of Milewski’s subjects, Marek, seeks out a deep, emotional connection on the cruise but winds up lost in a cacophony of casual sex. The film is shot with stunning images of a monstrous yet ethereal ship gliding through open waters, of nearly nude men dancing at all hours of the day, and of the stunningly diverse range of people encompassed by the gay community.īut like all fantasies, the men on this cruise are inevitably disappointed as the mirage of inclusivity and opportunity gets wrapped up in impossible expectations.
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It’s a place where politics and temporality appear to be suspended, where one is liberated from an otherwise volatile and dismal world, a world where homosexuality is not only trivialized but sometimes even violently persecuted. As the title suggests, the ship literally becomes a vessel for one’s wildest sexual, romantic, and personal fantasies. In November 2017, film director Tristan Milewski released Dream Boat, the documentary film following five men as they board a gay cruise in search for love and freedom.